Saturday, January 5, 2008

The journalist vs. the critic


In this corner, the arts journalist.
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Pugilisticly brash, sharp-tongued and often quick witted, the arts journalist is a favorite with editors.
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Providing snappy copy with tantalizing quotes, the article often lacks the one thing that is fundamental to good art writing: an understanding about art!
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These articles play well to the novice public, but to arts specialists, it is obvious that there is a void of background knowledge about the subject. How can this be?
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Let's compare this to sports writing. In a sports article there is implicit feeling that the writer knows the rules and the in/outs and history of the game he or she is covering. But oftentimes in arts journalism, it is painful to read such glaring errors and well-meaning, but misguided words. The reader walks away from the article having only been momentarily entertained but certainly not enlightened.
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Now in this corner, the art critic.
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The art critic does not need to quote heavily from the artist or museum director to make a point about the art. The critic is confident enough in his or her subjectivity and can provide readers with an interpretation or a reading of the art. Journalists lack that type of insight and criticality.
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And to get back to sports writing. One reason why I prefer it to arts journalism, not only due to its intelligence - as it doesn't dumb itself down to the reader like arts journalism tends to do - it also consistently discusses ethical issues. So as a reader I feel I have also gained some insight about the world I live in. Now why can't arts journalism step up to the plate? (oops, mixed metaphors here: jump into the ring? throw down its gloves?)

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