Sorry, no image for today. I want to post the info for every upcoming biennial/biennale in Asia this fall that composes Art Compass 2008. Here's the press release announcing the Sydney Biennale. I like how it connects the past to the present. For further info see http://www.bos2008.com/page/media_releases.html
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Revolutions – Forms That Turn, which runs from 18 June – 7 September, is an experimental curatorial project aiming to create a constellation of historical and contemporary artworks. These explore the impulse to revolt, the etymology of ‘Revolutions’ (re-volvere), as well as the gap between associations with the first part of the exhibition title (‘revolutions’) and the second (‘forms that turn’).
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Under the artistic direction of international curator, Carolyn Christov-Bakargiev, the artists, thinkers, filmmakers and writers who will participate in the 16th edition of the Biennale of Sydney celebrate, investigate and re-think the concept of ‘revolution’. The project explores the relationship and gap between ‘revolutionary art’ and ‘art for the revolution’; the space between formal experimentation and artistic intent – the impulse to revolt in both art and life.
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Artists whose practice emerged in the 1960s and 1970s will prepare new works for exhibition alongside seminal artworks by early twentieth century revolutionary artists such as Aleksandr Rodchenko and Kasimir Malevich.
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The exhibition will also feature major new projects by William Kentridge and Janet Cardiff & George Bures Miller, as well as new works by younger artists such as Qiu Anxiong, Gerard Byrne, Pierre Huyghe, Renata Lucas, Susan Philipsz and Michael Rakowitz.
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This edition of the Biennale of Sydney will also include more works by Australian artists than any previous one, including Vernon Ah Kee, Destiny Deacon, Simryn Gill, Shaun Gladwell, Rosemary Laing, Tracey Moffatt, TV Moore, Mike Parr, Stuart Ringholt, Julie Rrap and theweathergroup_U.
Friday, April 4, 2008
Sydney Biennale 2008
Posted by Susan at 12:51 AM
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1 comment:
Good for people to know.
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